Katrina Launtenheimer
was the thirteenth child of seventeen children whose parents were hard-working
farmers, Klause and Helga Launtenheimer.
The three oldest boys died brutally in the early days of the Civil
War. The Ohio family grieved as stoic
farm people grieve: privately, silently, chins high, shoulders back.
Katrina was chosen as
the “take care” progeny, which meant simply that she would remain at the family
home and take care of the parents as they aged and died. All the other children were expected to marry
and procreate, but not Katrina.
This had been
understood as long as Katrina had been alive.
It did not matter much to Katrina, until she watched siblings four,
five, six, eight, nine, eleven, and twelve marry and leave. Numbers seven and ten were boys and they
would remain on the farm with their wives, if and when they married.
Numbers fourteen, sixteen, and seventeen had died in a
smallpox epidemic.
Number fifteen ran away to Chicago, they thought.
Katrina sewed wedding
dresses for her sisters, cooked and cleaned for her parents, and watched as her
friends left.
A ruthless reality of
wars is that a generation of men are killed, leaving fewer options for
husbands.
Some of her pretty friends
married quickly when they hit marriageable age, but the other friends had few
options: be like Katrina or become a
mail-order bride for the open territories to the West.
Since the
transcontinental railroad’s success in the 1870s, mail-order brides packed and left, searching for better lives. One such friend was Mary Lannahan, whose beau Harold Finster had jilted her in
favor of Gracie Smith.
Disgraced, Mary was fleeing
Ohio in tears.
Katrina hitched the
wagon, and drove Mary to the train depot.
As Mary prepared to
say good-bye after her hefty trunk was loaded, Harold arrived on his horse,
pleading with her to marry him. He had
made a mistake, clearly. He loved Mary
with all his heart and…
Mary looked at Harold
and then at Katrina. Shoving her tickets
into Katrina’s hands, she insisted. “Katrina,
get the hell out of here.”
Katrina speculated
for a moment, then leaped on the train. “Don’t
tell my folks! I will write to you..."
All persons, characters, places are fictional. No resemblance to any person, living or dead, is intended. What will happen? Will Katrina find happiness? What will her parents say?